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  • City Pages

    Being Tron Guy

    Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."

    By Ben Palosaari

  • Riverfront Times

    Evil Amongst Us

    The nation's best known--and perhaps only--demonologist keeps up the struggle against Satanic spirits.

    By Aimee Levitt

  • Miami New Times

    Taps

    Sensing the end of an era, bottled-water companies spend billions to keep an eco-unfriendly industry alive.

    By Lee Klein

  • Village Voice

    John Steinbeck's Ghosts

    A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.

    By Tony Ortega

Motley Crue

Sunday, July 27, Fiddler's Green, 303-830-8497.

By Michael Roberts

Published on July 24, 2008

When veteran groups release albums long after their commercial prime, the CDs are routinely described as new. But this last word usually belongs in quotes — a point proven by Saints of Los Angeles, the most recent platter by Mötley Crüe, joined at Fiddler's by Buckcherry, Papa Roach, SIXX:AM (Nikki Sixx's other group) and Trapt. The disc's sound consciously evokes the nasty grind of the hair-metal era, and that's fine — better that than playing riff rock over faux-Timbaland rhythms. Lyrically, though, the tunes tend toward tedious nostalgia for the good ol' days: "What's It Gonna Take" is dominated by images of girls doing powder on the Sunset Strip and label reps insisting that the Crüe will never write a hit, while "Down at the Whisky" pivots on the treacly hook "Do you remember when?" In fact, a lot of us do — and back in the day, such misty-eyed sentimentality would have been roundly ridiculed. Which remains a damn good idea.



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