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Recent Articles
Recent Articles by Michael Roberts
Scars on Broadway
Interscope
Sunday, August 17, Larimer Lounge, 303-291-1007.
Friday, August 15, Red Rocks Amphitheatre, Morrison, 303-830-8497.
The Avenue
Self-released
Guitarist Don Felder writes about his ouster from the Eagles.
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National Features >
City Pages
Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."
By Ben Palosaari
Riverfront Times
The nation's best known--and perhaps only--demonologist keeps up the
struggle against Satanic spirits.
By Aimee Levitt
Miami New Times
Sensing the end of an era, bottled-water companies spend billions to keep an eco-unfriendly industry alive.
By Lee Klein
Village Voice
A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.
By Tony Ortega
Motley Crue
Sunday, July 27, Fiddler's Green, 303-830-8497.
Published on July 24, 2008
When veteran groups release albums long after their commercial prime, the CDs are routinely described as new. But this last word usually belongs in quotes — a point proven by Saints of Los Angeles, the most recent platter by Mötley Crüe, joined at Fiddler's by Buckcherry, Papa Roach, SIXX:AM (Nikki Sixx's other group) and Trapt. The disc's sound consciously evokes the nasty grind of the hair-metal era, and that's fine — better that than playing riff rock over faux-Timbaland rhythms. Lyrically, though, the tunes tend toward tedious nostalgia for the good ol' days: "What's It Gonna Take" is dominated by images of girls doing powder on the Sunset Strip and label reps insisting that the Crüe will never write a hit, while "Down at the Whisky" pivots on the treacly hook "Do you remember when?" In fact, a lot of us do — and back in the day, such misty-eyed sentimentality would have been roundly ridiculed. Which remains a damn good idea.