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  • City Pages

    Being Tron Guy

    Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."

    By Ben Palosaari

  • Riverfront Times

    Evil Amongst Us

    The nation's best known--and perhaps only--demonologist keeps up the struggle against Satanic spirits.

    By Aimee Levitt

  • Miami New Times

    Taps

    Sensing the end of an era, bottled-water companies spend billions to keep an eco-unfriendly industry alive.

    By Lee Klein

  • Village Voice

    John Steinbeck's Ghosts

    A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.

    By Tony Ortega

The Appleseed Cast

Tuesday, October 18, hi-dive, 720-570-4500.

By Jason Heller

Published on October 13, 2005

"Emo" isn't really as bad a word as critics would have you believe. From the '80s heyday of Rites of Spring and Embrace to the genre's many mutations throughout the '90s, emo has an honorable tradition that a few shitty MTV bands can't erase. When the Appleseed Cast released its debut, The End of the Ring Wars, in 1999, it was just one more link in a chain of soaring post-hardcore that stretched back to Split Lip and Sunny Day Real Estate. But with 2001's atmospheric Low Level Owl, the band far outdistanced its Kansas origins. Incorporating digital textures and mesmerizing ambience, the Appleseed Cast fine-tuned its experimentalism with its last offering, Two Conversations (a disc more indebted to the high-concept whine of Radiohead), and is already starting work on a new album at Pachyderm Studios with Explosions in the Sky producer John Congleton. Reclaiming the word "emo" may be the last thing the Appleseed Cast has in mind -- but its next opus could finally do the trick anyway.



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